FO: Stellaria Shawl

I never tire of knitting intricate lace shawls.

It doesn't matter that I will never wear this thing, but it was just so lovely to make, I don't feel like I've wasted any time at all.

It's the Stellaria Shawl from Twist Collective, a beautiful crescent shaped shawl with lacy broad leafs.

I used a bit over 1 skein of Rowan Fine Lace in Revival- a delicate light purplely pink.  It's about 550 yards, and it's a delicate suri alpaca and merino blend.  It's so gossamer and light.  This isn't really for warmth, but for decorating your decolletage.  It was kind of a pain in the ass to knit with- it was grabby, so if I wasn't paying attention, it would knot up upon itself and make a huge bird's nest that would take some deep breaths before I attempted to untangle.

Blocking was a bit of a chore- There's not enough pins in the world to pin out that many points- I think I did a decent job and got it fairly symmetrical.

The first half of this was really easy- it's all short rows back and forth and back and forth.  I had cast on during the train ride up to Glasgow and worked on it here and there during the West Highland Way hike.  By time time I was on the bus back to Glasgow, I had finished the short rows and was ready to move on to the lace, but that was exactly when the flu struck, and I spent the train ride back to London a shivering achy mess and couldn't stand the site of it.

A few weeks later, I picked it back up and finished the lace bit, and finished up in record time.  Sometimes, I just need a break.

The best part?  I found the yarn on sale at Liberty for  £4. 

It will be gifted, but I enjoyed flouncing around with it for a few minutes while planning my next lace creation.

FO: Porto Sweater

All this travel means I have a lot of plane/train/bus time to turn wool into garments.

I'm way behind in actually figuring out what I've made at this point, and even if it's a proper garment. I'm pretty sure there are some pretty glaring mistakes going on. A sock with two heels? Check. I sweater with three arm holes? Probably. A shawl where I run out of yarn at the very last row or precious, no-dye lot handpainted artisan yarn? Yup. Staring at it right now. I just keep going.

This was a little-known pattern from Twist Collective called Porto. It struck my fancy as just something that would be good to wear. I understand that most people, when they think of something good to wear, run to the store and buy it.

It just seemed like the perfect comfortable casual sweater for fall. The medallion cable details on the sides give it some nice waist shaping, and the cabley details at the v-neck add some interest to an otherwise very plain, wearable sweater.

I used 9 skeins -a bit over 1200 yards- of Rowan Purelife Organic Wool, a straigtforward DK weight of wooly goodness.

I think it's discontinued now, but the color is "Parsley", which is barely a hint of green natural dye on white wool.

I made the 36" size. It didn't take me so long to knit up- about a month- but I used size 4 needles to get a nice, tight gauge that is not terribly bulky. It fits, it's warm, I've reached for it every time I've gotten a chill. It's just comforting and easy to wear and I love it so.

FO: Vine Yoke Cardigan

Just in time for warm summer breezes, a heavy winter wooly cardigan to see me through. It's the Vine Yoke Cardigan by Ysolda from a Twist Collective that was published in 2009.

Springtime here was not exactly an airy brief silken clothing inspiring event, so I sat down and churned out a quick sweater despite the fact it might be a while before it actually gets some use. Some people make hay when the sun shines, I make wool winter sweaters while the populace dons winter coats in June.

Actually, this was intended as a gift, so I made it size up than what I normally would make myself. The pattern is unusual as you knit it sideways, which lets the unique lacy cable wind its way across the shoulders, and I loved the small lace details of the cuffs and waist. The pattern wasn't hard at all, but there were a lot of short-rows involved so you had to pay attention, but otherwise you could have this done and blocked in a week or two and be done with it. It's hard to adjust the fit in sweaters like this, but you could easily modify to make the sleeves longer of shorter.

What's better than getting a wintery-warm sweater in July? Nothing. It's almost like one of those anti jokes: What's worse than finding half a worm in your apple? Cancer.

The pattern called for buttons and button holes. I thought it looked sloppy, so I left them out. I am currently in the market for some lightweight pewter clasps to fasten the front. That dpn is just for show!

The yarn is The Fiber Company Canopy Worsted. I used 8 skeins- a mere 800 yards, so it's very easy on the yardage. It's a 50% alpaca 30% wool 20% bamboo blend. Quite warm, if I have to sum it up. It's lovely to work with, with very little of the prickle that I grew tired of alpaca for. Every time I declare myself "over alpaca" this yarn brings me back. The color is a lovely heather green "yerba mate".

FO: Wisteria Sweater

Oh, hello! I've been on a real sweater kick lately. I think it's a kind of "make hay while the sun shines" sort of philosophy, except it's "Make warm sweaters while you can still bear to wear them".

While we've had a couple odd warm-ish days, and a few sunshiny days (which were bitterly cold) spring is indeed coming. A trip through the countryside north of here revealed a slight tingle of green to the trees, and a couple fields were growing something green but the TGV whips by them at 200 mph, so I couldn't tell you what. I've been having a tendency to travel to fairly arctic climates this past year, so winter sweaters have been a year-round wardrobe staple anyway.

I've been wanting to make the Wisteria Pullover from Twist Collective since it came out in 2008. When I fall for an unusual pattern, I usually wait a little while before casting on because it takes a little time for reality to hit me and for me to realize that whatever garment I choose might have not been the best choice. This is why one of my first sweaters was an enormous, fully cabled monster that flattered no one, but I'm saving it for when I'm in my late 70's and can only hope to get lost in a garment.

I had even bought yarn for this: a gorgeous dark purple Madeline Tosh called Oxblood. I hed even started swatching for this sweater with the Tosh, before my stash and I were so rudely separated by an ocean. The Tosh will have to find a new purpose now, as I had acquired some really gorgeous Mondegreen from the Verdant Gryphon and got to it.

This yarn was amazing. It's an unusual blend of 60% Blue Face Leicester wool, 20% silk, and 10% baby camel. The baby camel causes it to have a slightly fuzzy soft bloom, but the underlying silk gives it a sheen, and it overall creates a dense and beautiful drapey fabric, with really nice stitch definition. Oh, and the color. I'm always a fan of neutrals, but this a beautiful steely gray with purple undertones.

The pattern was well-written. The cabling took a little time, but the rest of the sweater was simple. The only mod I made was I added another 2 sets of waist shaping decreases. I made the 40" size, which is bigger than I normally make but I wanted a slightly roomier sweater, but I didn't want it took look sloppy, hence the extra decreases. The only other thing I would change if I made this again would be some short-rows at the bust. The sweater is the same shape front and back. Because it is roomy, it's not a bad fit, but even the flattest of pancakes would have better results fit-wise if it had some boob shaping.

Oh, my row gauge was off and I realized the sweater was getting to be tunic sized if I didn't cut it off (It's knit from the neck down) so I have 6 rows less cable pattern at the bottom edge. But I love the necklace of twining cables. It really makes the sweater unique.

Despite the fact that I was told "Hey, you'll be ready to go to the Ren Faire in that" while I was knitting it, I find it to be wearable. It's unusual, but in a graceful sort of way. This isn't a light weight sweater at all. It is cozy and warm and snuggly, and it held up so nicely through multiple wears so far.

I love it. New favorite.

FO: Pas de Valse

Things have been a little crazed around here as I prepare for a whole lot of stuff. Right now, I am focusing on trying to wrap up and summarize work projects from the past 6 1/2 years. Cleaning out my hard drive was a pretty sobering experience. It's almost over now and I'm begging my co-workers to throw me a party already.

This weekend was busy, but we made time to go to the Louis Armstrong house in Queens. I'll have more on that later as it was a blog-worthy experience in itself.

Louis and his wife Lucille settled in what could be called a modest house, in a real neighborhood...except they had a triple lot in which they had landscaped a beautiful Japanese garden to entertain in. I just happened to be wearing my latest sweater, and the day was sunny and warm enough for a little photoshoot.



I half excepted Louis to come out of his house and yell at me to get off his lawn.





The sweater is the Pas de Valse by Marnie MacLean from Twist Collective.



I used 4 skeins of The Sanguine Gryphon Bugga in Adonis Butterfly. I love this color blue. Since handpainted yarn tends to be a bit inconsistent color-wise I alternated skeins to make the color more even. I still ended up with an odd color splotch of green on one front though, but I'm not going to let that bother me right now. Aside from that, the yarn was a champion of loveliness- soft with cashmere and merino and it didn't stretch out when blocked (as superwash yarns tend to do sometimes). It's meant to be worn large and drapey, with a pin to fasten it whichever way you want. I personally like it low to give a more hourglass waist shape.



I do have a few gripes about the pattern. The collar extension was a bit sloppy to finish up in the back neck. The sample pictures seem to gloss over that fact that it's not quite perfect, and the instructions are a little vague when it comes to piecing that section together. I think the sleeves could be a little neater as well- they connect to the sweater by picking up stitches from the body and knitting down from the sleeve cap, and I don't like that look as much as sewn-in sleeves. I also think the sleeves as written taper too narrow, so I cast off when I had 50 stitches left on the needles (she has you decrease down to 34). I don't think that the sleeves would fit over my wrist otherwise- they are very narrow, fitted sleeves to begin with. I like the look of that as it is a nice contrast to the rest of the garment, but I think if you did it as written, you'll end up cutting the circulation off to your hands. I loved the lettuce crochet edging- it really finished the sweater off nicely.



I also love the drape and the shaping of the rest of the sweater- and there is a whole lot of shaping instructions to pay attention to. This is definitely making the cut and ending up in my suitcase. It's very flattering and wearable as far as a larger sweater goes. I kind of want to be the graceful and elegant person who would wear this on a regular basis. It wants me to go out and get my ears pierces so I can wear dangly earrings with it.



This did take a quite a while to make, and because I always had two skeins of yarn attached, it didn't leave the house. This is the 39" size. I used about 1550 yards of sport weight yarn- a lot of yarn goes into a long-ish oversized sweater knit at a fine gauge with a huge drapey collar. Aside from my pattern gripes, I enjoyed knitting this and I watched some good classic movies in the process.

Some Works in Progress

Two weeks in to 2012 and I've not cast on for a pair of socks. This means, despite having limited knitting time, I've gotten some real progress done on sweaters. Multiple sweaters.

First up is the Pas de Valse from Twist Collective.

It calls for fingering weight yarn but it works up pretty quickly at a loose gauge. I'm using Sanguine Gryphon Bugga in the Adonis Butterfly colorway. I can't wait for this sweater to be done and it's not because I'm sick of knitting it- I just love the way it drapes and I can't wait to wear it. It's almost like putting something on layaway. I keep plugging away at it, and one day it will be mine, all mine!



Because it is hand-dyed yarn and there are variations that can't be helped, I'm alternating every couple rows with another skein. That way, when I change skeins there won't be an obvious color change striping its way across my sweater.

Next up is a manly man sweater. It's the Lattice Sweater from Interweave Knits.

These are the sleeves and they only have a few more inches to go. You can't tell from the sample photo, but the sleeves have a line of rib in the center. The whole sweater is kind of boring to knit, but comforting on the commute. It seems really exciting at this point to do that cable detail around the collar. That's going to be like Christmas and my Birthday all wrapped into one when I finally get there. I am on the road for a business trip next week (that I'm seriously dreading) and I'm going to work on the body then. Flights and late nights mean that there is a chance I'll get a great deal of this knocked out without much effort. I'm using Cascade 220 Heathers in the color "Sparrow". We can't really make a man's sweater in an exciting flashy color now, can we? I'd rather it be brown or gray or a combination of the two and have the sweater get a lot of use. Maybe it can be dark green or navy if we're feeling particularly adventurous.

I actually finished this sweater a couple days ago but I haven't had a chance to get pictures yet. So here is what it looked like a couple weeks ago:



It's the Leyfi pullover by Romi Hill. It's a top-down seamless sweater with a great lace collar and a pretty leafy lace pattern that continues down the sleeves. I'll have more on it later, but I love it and it fits and it's flattering. The yarn is Cascade Eco, which knit up in no time at all once I got over the intricate lace.

An Amazon giftcard from a co-worker went to good use:

Squeeee! My quest to find comfy pumps that don't look frump resulted in these cute Mary Janes from John Fluevog. They have a nice round toe and a sturdy heel, so I've had no complaints at all. I walk quite a bit during my day- not only am I on my feet a great deal at work (well, not a waitress amount, but quite a bit) and then I'll usually have to qualms about walking a mile or so after work to run errands or avoid taking the subway at rush hour. I don't like to carry an extra pair of shoes around, so I'd rather just get something I can walk all day in without crippling myself.

I'll be out of commission for a bit as I go rah rah rah for corporate life and put on my serious face and powerpoint present my ass off. Let us all hope that it does not permanently steal my soul.