Wednesday 6 March 2013

FO: Wisteria Sweater

Oh, hello! I've been on a real sweater kick lately. I think it's a kind of "make hay while the sun shines" sort of philosophy, except it's "Make warm sweaters while you can still bear to wear them".

While we've had a couple odd warm-ish days, and a few sunshiny days (which were bitterly cold) spring is indeed coming. A trip through the countryside north of here revealed a slight tingle of green to the trees, and a couple fields were growing something green but the TGV whips by them at 200 mph, so I couldn't tell you what. I've been having a tendency to travel to fairly arctic climates this past year, so winter sweaters have been a year-round wardrobe staple anyway.

I've been wanting to make the Wisteria Pullover from Twist Collective since it came out in 2008. When I fall for an unusual pattern, I usually wait a little while before casting on because it takes a little time for reality to hit me and for me to realize that whatever garment I choose might have not been the best choice. This is why one of my first sweaters was an enormous, fully cabled monster that flattered no one, but I'm saving it for when I'm in my late 70's and can only hope to get lost in a garment.

I had even bought yarn for this: a gorgeous dark purple Madeline Tosh called Oxblood. I hed even started swatching for this sweater with the Tosh, before my stash and I were so rudely separated by an ocean. The Tosh will have to find a new purpose now, as I had acquired some really gorgeous Mondegreen from the Verdant Gryphon and got to it.

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This yarn was amazing. It's an unusual blend of 60% Blue Face Leicester wool, 20% silk, and 10% baby camel. The baby camel causes it to have a slightly fuzzy soft bloom, but the underlying silk gives it a sheen, and it overall creates a dense and beautiful drapey fabric, with really nice stitch definition. Oh, and the color. I'm always a fan of neutrals, but this a beautiful steely gray with purple undertones.

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The pattern was well-written. The cabling took a little time, but the rest of the sweater was simple. The only mod I made was I added another 2 sets of waist shaping decreases. I made the 40" size, which is bigger than I normally make but I wanted a slightly roomier sweater, but I didn't want it took look sloppy, hence the extra decreases. The only other thing I would change if I made this again would be some short-rows at the bust. The sweater is the same shape front and back. Because it is roomy, it's not a bad fit, but even the flattest of pancakes would have better results fit-wise if it had some boob shaping.

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Oh, my row gauge was off and I realized the sweater was getting to be tunic sized if I didn't cut it off (It's knit from the neck down) so I have 6 rows less cable pattern at the bottom edge. But I love the necklace of twining cables. It really makes the sweater unique.

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Despite the fact that I was told "Hey, you'll be ready to go to the Ren Faire in that" while I was knitting it, I find it to be wearable. It's unusual, but in a graceful sort of way. This isn't a light weight sweater at all. It is cozy and warm and snuggly, and it held up so nicely through multiple wears so far.

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I love it. New favorite.

4 comments:

  1. Great sweater! Just discovered your blog about 2 weeks ago and am really enjoying it. :)

    Makes me want to take the plunge and move to France myself! Cheers... Rebecca

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    1. Thank you! I just got a huge thick envelope in the mail of paperwork hoops to jump through so I can stay more than a year. Oh, the paperwork involved with everything is terrifying. But it is a good place to live and you should seriously do it at least for a little while!

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  2. Love this sweater! It does have a bit of a medieval feel to it!

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    1. I think as long as I don't wear overly long skirts and a veil or bonnet with it, I'll not be called wench. For a while I liked this really pretty multicolor yarn called Noro, but everything I made with it made me look like an Earth Mother. I had to quit that.

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